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1 colour television engineering
colour television engineering Farbfernsehtechnik fEnglish-German dictionary of Electrical Engineering and Electronics > colour television engineering
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2 colour television
Iவண்ணத் தொலைக்காட்சிIIவண்ணத்தொலைக்காட்சிவண்ணத் தொலைக்காட்சி -
3 field sequential colour television
புல வா¤சை முறை வண்ணத் தொலைப்படக்காட்சிEnglish-Tamil dictionary > field sequential colour television
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4 dot sequential colour television
புள்ளித்தொடர் நிறத்தொலைப்பார்வை -
5 Zworykin, Vladimir Kosma
[br]b. 30 July 1889 Mourum (near Moscow), Russiad. 29 July 1982 New York City, New York, USA[br]Russian (naturalized American 1924) television pioneer who invented the iconoscope and kinescope television camera and display tubes.[br]Zworykin studied engineering at the Institute of Technology in St Petersburg under Boris Rosing, assisting the latter with his early experiments with television. After graduating in 1912, he spent a time doing X-ray research at the Collège de France in Paris before returning to join the Russian Marconi Company, initially in St Petersburg and then in Moscow. On the outbreak of war in 1917, he joined the Russian Army Signal Corps, but when the war ended in the chaos of the Revolution he set off on his travels, ending up in the USA, where he joined the Westinghouse Corporation. There, in 1923, he filed the first of many patents for a complete system of electronic television, including one for an all-electronic scanning pick-up tube that he called the iconoscope. In 1924 he became a US citizen and invented the kinescope, a hard-vacuum cathode ray tube (CRT) for the display of television pictures, and the following year he patented a camera tube with a mosaic of photoelectric elements and gave a demonstration of still-picture TV. In 1926 he was awarded a PhD by the University of Pittsburgh and in 1928 he was granted a patent for a colour TV system.In 1929 he embarked on a tour of Europe to study TV developments; on his return he joined the Radio Corporation of America (RCA) as Director of the Electronics Research Group, first at Camden and then Princeton, New Jersey. Securing a budget to develop an improved CRT picture tube, he soon produced a kinescope with a hard vacuum, an indirectly heated cathode, a signal-modulation grid and electrostatic focusing. In 1933 an improved iconoscope camera tube was produced, and under his direction RCA went on to produce other improved types of camera tube, including the image iconoscope, the orthicon and image orthicon and the vidicon. The secondary-emission effect used in many of these tubes was also used in a scintillation radiation counter. In 1941 he was responsible for the development of the first industrial electron microscope, but for most of the Second World War he directed work concerned with radar, aircraft fire-control and TV-guided missiles.After the war he worked for a time on high-speed memories and medical electronics, becoming Vice-President and Technical Consultant in 1947. He "retired" from RCA and was made an honorary vice-president in 1954, but he retained an office and continued to work there almost up until his death; he also served as Director of the Rockefeller Institute for Medical Research from 1954 until 1962.[br]Principal Honours and DistinctionsZworykin received some twenty-seven awards and honours for his contributions to television engineering and medical electronics, including the Institution of Electrical Engineers Faraday Medal 1965; US Medal of Science 1966; and the US National Hall of Fame 1977.Bibliography29 December 1923, US patent no. 2,141, 059 (the original iconoscope patent; finally granted in December 1938!).13 July 1925, US patent no. 1,691, 324 (colour television system).1930, with D.E.Wilson, Photocells and Their Applications, New York: Wiley. 1934, "The iconoscope. A modern version of the electric eye". Proceedings of theInstitute of Radio Engineers 22:16.1946, Electron Optics and the Electron Microscope.1940, with G.A.Morton, Television; revised 1954.1949, with E.G.Ramberg, Photoelectricity and Its Applications. 1958, Television in Science and Industry.Further ReadingJ.H.Udelson, 1982, The Great Television Race: History of the Television Industry 1925– 41: University of Alabama Press.KFBiographical history of technology > Zworykin, Vladimir Kosma
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6 Baird, John Logie
[br]b. 13 August 1888 Helensburgh, Dumbarton, Scotlandd. 14 June 1946 Bexhill-on-Sea, Sussex, England[br]Scottish inventor of mechanically-based television.[br]Baird attended Larchfield Academy, then the Royal Technical College and Glasgow University. However, before he could complete his electrical-engineering degree, the First World War began, although poor health kept him out of the armed services.Employed as an engineer at the Clyde Valley Electrical Company, he lost his position when his diamond-making experiment caused a power failure in Glasgow. He then went to London, where he lived with his sister and tried manufacturing household products of his own design. To recover from poor health, he then went to Hastings and, using scrap materials, began experiments with imaging systems. In 1924 he transmitted outline images over wires, and by 1925 he was able to transmit recognizable human faces. In 1926 he was able to transmit moving images at a resolution of thirty lines per image and a frequency of ten images per second over an infrared link. Also that year, he started the world's first television station, which he named 2TV. In 1927 he transmitted moving images from London to Glasgow, and later that year to a passenger liner. In 1928 he demonstrated colour television.In 1936, when the BBC wanted to begin television service, Baird's system lost out in a competition with Marconi Electric and Musical Industries (EMI). In 1946 Baird reported that he had successfully completed research on a stereo television system.[br]Further ReadingR.Tiltman, 1933, Baird of Television, London: Seeley Service; repub. 1974, New York: Arno Press.J.Rowland, 1967, The Television Man: The Story of John Logie Baird, New York: Roy Publishers.F.Macgregor, 1984, Famous Scots, Gordon Wright (contains a short biography on Baird).HO -
7 Ives, Herbert Eugene
[br]b. 1882 USAd. 1953[br]American physicist find television pioneer.[br]Ives gained his PhD in physics from Johns Hopkins University, Baltimore, Maryland, and subsequently served in the US Signal Corps, eventually gaining experience in aerial photography. He then joined the Western Electric Engineering Department (later Bell Telephone Laboratories), c.1920 becoming leader of a group concerned with television-image transmission over telephone lines. In 1927, using a Nipkow disc, he demonstrated 50-line, 18 frames/sec pictures that could be displayed as either 2 in.×2 1/2 in. (5.1 cm×6.4 cm) images suitable for a "wirephone", or 2 ft ×2 1/2 ft (61 cm×76 cm) images for television viewing. Two years later, using a single-spiral disc and three separately modulated light sources, he was able to produce full-colour images.[br]Bibliography1915, "The transformation of colour mixture equations", Journal of the Franklin Institute 180:673.1923, "do—Pt II", Journal of the Franklin Institute 195–23.1925, "Telephone picture transmission", Transactions of the Society of Motion Picture and Television Engineers 23:82.1929, "Television in colour", Bell Laboratories Record 7:439.1930, with A.L.Johnsrul, "Television in colour by a beam-scanning method", Journal of the Optical Society of America 20:11.Further ReadingJ.H.Udelson, 1982, The Great Television Race: History of the Television Industry 1925– 41: University of Alabama Press.KF -
8 Fischer, E.
[br]fl. 1930s Switzerland[br]Swiss engineer who invented the Eidophor large-screen television projector.[br]Fischer was a professor of engineering at the Swiss Federal Institute of Technology in the late 1930s. Interested in the emerging technology for television, he was of the opinion that the growth of television would take place through the development and use of large-screen cinema-type displays serving large audiences. He therefore carried out research into suitable techniques. Realizing the brightness limitations of projection systems based on the optical magnification of the image produced by a conventional cathode ray tube, he used the deflected electron-beam, not to excite a phosphor screen, but to deposit a variable charge on the surface of a film or oil. By means of a Schlieren slit system, the consequent deformations of the surface were used to spatially modulate the light from an electric arc or a discharge tube, giving a large, high-brightness image. Although the idea, first put forward in 1939, was not taken up for cinema television, the subsequent requirement of the US National Aeronautics and Space Administration in the 1960s for large colour displays in its Command and Control Centres led to the successful development of the idea by Gretag AG, a subsidiary of Ciba-Geigy: separate units were used for the red, green and blue images. In the 1990s, colour Eidophor projectors were used for large conference meetings and pop concerts.[br]Bibliography1946, "Views on the suitability of a cathode ray tube with a fluorescent screen for projection in cinemas", Bulletin of the Association of Swiss Electricians 39:468 (describes the concept of the Eidophor).Further ReadingE.H.Baumann, 1953, "The Fischer large screen projection system", Journal of Society of Motion Picture and Television Engineers 60:344.A.Robertson, 1976, "Projection television. A review of current practice in large-screen projectors", Wireless World 47.KF -
9 Poniatoff, Alexander Mathew
[br]b. 25 March 1892 Kazan District, Russiad. 24 October 1980[br]Russian (naturalized American in 1932) electrical engineer responsible for the development of the professional tape recorder and the first commercially-successful video tape recorder (VTR).[br]Poniatoff was educated at the University of Kazan, the Imperial College in Moscow, and the Technische Hochschule in Karlsruhe, gaining degrees in mechanical and electrical engineering. He was in Germany when the First World War broke out, but he managed to escape back to Russia, where he served as an Air Force pilot with the Imperial Russian Navy. During the Russian Revolution he was a pilot with the White Russian Forces, and escaped into China in 1920; there he found work as an assistant engineer in the Shanghai Power Company. In 1927 he immigrated to the USA, becoming a US citizen in 1932. He obtained a post in the research and development department of the General Electric Company in Schenectady, New York, and later at Dalmo Victor, San Carlos, California. During the Second World War he was involved in the development of airborne radar for the US Navy.In 1944, taking his initials to form the title, Poniatoff founded the AMPEX Corporation to manufacture components for the airborne radar developed at General Electric, but in 1946 he turned to the production of audio tape recorders developed from the German wartime Telefunken Magnetophon machine (the first tape recorder in the truest sense). In this he was supported by the entertainer Bing Crosby, who needed high-quality replay facilities for broadcasting purposes, and in 1947 he was able to offer a professional-quality product and the business prospered.With the rapid post-war boom in television broadcasting in the USA, a need soon arose for a video recorder to provide "time-shifting" of live TV programmes between the different US time zones. Many companies therefore endeavoured to produce a video tape recorder (VTR) using the same single-track, fixed-head, longitudinal-scan system used for audio, but the very much higher bandwidth required involved an unacceptably high tape-speed. AMPEX attempted to solve the problem by using twelve parallel tracks and a machine was demonstrated in 1952, but it proved unsatisfactory.The development team, which included Charles Ginsburg and Ray Dolby, then devised a four-head transverse-scan system in which a quadruplex head rotating at 14,400 rpm was made to scan across the width of a 2 in. (5 cm) tape with a tape-to-head speed of the order of 160 ft/sec (about 110 mph; 49 m/sec or 176 km/h) but with a longitudinal tape speed of only 15 in./sec (0.38 m/sec). In this way, acceptable picture quality was obtained with an acceptable tape consumption. Following a public demonstration on 14 April 1956, commercial produc-tion of studio-quality machines began to revolutionize the production and distribution of TV programmes, and the perfecting of time-base correctors which could stabilize the signal timing to a few nanoseconds made colour VTRs a practical proposition. However, AMPEX did not rest on its laurels and in the face of emerging competition from helical scan machines, where the tracks are laid diagonally on the tape, the company was able to demonstrate its own helical machine in 1957. Another development was the Videofile system, in which 250,000 pages of facsimile could be recorded on a single tape, offering a new means of archiving information. By 1986, quadruplex VTRs were obsolete, but Poniatoff's role in making television recording possible deserves a place in history.Poniatoff was President of AMPEX Corporation until 1955 and then became Chairman of the Board, a position he held until 1970.[br]Further ReadingA.Abrahamson, 1953, "A short history of television recording", Part I, JSMPTE 64:73; 1973, Part II, Journal of the Society of Motion Picture and Television Engineers, 82:188 (provides a fuller background).Audio Biographies, 1961, ed. G.A.Briggs, Wharfedale Wireless Works, pp. 255–61 (contains a few personal details about Poniatoff's escape from Germany to join the Russian Navy).E.Larsen, 1971, A History of Invention.Charles Ginsburg, 1981, "The horse or the cowboy. Getting television on tape", Journal of the Royal Television Society 18:11 (a brief account of the AMPEX VTR story).KF / GB-NBiographical history of technology > Poniatoff, Alexander Mathew
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